I'm no ethnomusicologist. There is a connection between the five-note scale used both in traditional Chinese music and the blues, but I don't really understand it. All I know is, whenever I play with Chinese musicians, we seem to belong to the same musical gene pool.
I have a general sense of mission, and I intuitively know when something is influencing that mission. I think this is what I'm supposed to be doing. Doors keep opening. In the end, it's the best use of my skills. I've finally consented to the idea that I'm an artist.
I sang in a reggae band. And then there was a soul band where I sang back-up vocals and some lead. And I was also in a women's a capella group. And I was in the gospel choir at school. Actually, I've always been in choirs. Or some kind of group. Just because I love singing so much. But I truthfully never thought of it as a career.
In some ways, in the U.S. we don't know how to be. I think in a lot of ways America is about liberation and about change and progressive human relations. And because of that, I feel like that we're confused about who we're supposed to be and what it is that's supposed to satisfy us and make us feel fulfilled.
I was born in Evanston, Illinois. I spent my elementary and part of my junior high school years in a D.C. suburb. And then I spent my high school years in Minnesota. And then I spent my college years in Colorado. And then I spent some time living in China. And then I spent three years in Vermont before moving down to Nashville.